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Originally Posted by DookieMan

Sounds as far away as their old sound as anything IMO.

I think the whole Love album would be kinda pointless for release. All I know is that Because should just be them in a black room and you just see their faces, Bohemian Rhapsody style.

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Actually when they started recording what would end up being "Let It Be" it started out as "Get Back" and was supposed to bring back the old style of just 2 guitars a bass and drums...

I find it funny that the album name was changed to "Let It Be" and in came the orchestras.

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Originally Posted by CCDaDon

Actually when they started recording what would end up being "Let It Be" it started out as "Get Back" and was supposed to bring back the old style of just 2 guitars a bass and drums...

I find it funny that the album name was changed to "Let It Be" and in came the orchestras.

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Well, they wanted to go to the old style of recording, but it still sounds just as far away to their old sound.

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Originally Posted by DookieMan

Well, they wanted to go to the old style of recording, but it still sounds just as far away to their old sound.

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Well... There are some parts of Get Back that sounds like a modernised version of "I Saw Her Standing There"

i like the idea of having the old beatles in the ed sullivan theater

I'd actually like to see the Get Back Beatles doing the performance in the Cavern. That'd be cool and hit the right tone to me.

I'd have a mix of the dreamscapes of the normal songs. For example - for the mix of Mr. Kite/Helter Skelter/She's So Heavy, we have The Sgt. Peppers of Being for the Benefit of Mr. Kite, playing on the Apple rooftop, and the sky in the background is from the Helter Skelter dreamscape. Also, there would be no people. This works for most tracks. Such as in the Octopus's Garden, we have the coral reef from Octopus's Garden, but the sea is purple and the Yellow Submarine is whoosing past. Also include some from Good Night. I think that LOVE should only be released if we somehow get every other Beatles album, which I know is very unlikley.

While My Guitar Gently Weeps would fit more, with Harrison, sitting in the studio. No colours. All Black And White. Halfways through the song, he is sitting on the hill, when its raining, and it ends with him sitting in the studio again.

I figured Because/Get Back/Glass Onion can be all on one track; they flow together. Plus, with that, I felt that "track" can all be played on the rooftop.

If the whole thing was one track, you can't do much with the dreamscapes. Look at the Abbey Road medley and how simple it is compared to the individual parts. And we already have a version of Because with instruments (you know, the kind of song that would actually work for Rock Band), and from there it's fragments of songs, most of which you can already play without sitting around doing nothing for three minutes. Who would want to play an 80-minute song that often anyway?

Brilliant idea