She's great, too, even if the accusation that her producers write all her songs is true.
Absolutely. The line between pseudo and honesty is a difficult one to spot, as well as a subjective one. Most of us on this forum, for example, think everything Paul Westerberg put on tape is strikingly profound, but I can see how some people would interpret his lyrics negatively, like a punk kid attempting poetry.
The first few opening lines in "Wish You Were Here" by Incubus is the biggest offender. In Keanu Reeves-like fashion, Brandon sings about these images and metaphors that have been to death like he's just stumbled upon the meaning of life. Honestly, I like Incubus, but sometimes they should just stick to rocking out instrumentally (though I do enjoy Brandon's voice and vocal melodies most of the time; maybe he should just make up his own words so we don't have to suffer through the bro). :D
Ah! My top game is an odd choice - Vampire: The Masquerade Bloodlines:
http://en.wikipedia.org/wiki/Vampire...%93_Bloodlines
To me, the story and characters are more important to me than anything else in a game, including gameplay (I come from a text game background with MUDs so graphics and sound, too, are generally unimportant to me). I want to feel immersed in the game's world. The writing in VtMB is perfect - it has depth, black humor, horror, the supernatural, intelligence, and tragic heroes, the way vampires should be. Writing is sadly the most overlooked component of any game in favor of pretty much everything else (especially with modern games). Plus, I've never felt so engrossed doing a simple sidequest in a game, of which there are many. I'm a huge fan of the VtM source material, though, so I'm obviously a bit biased.
I'm curious to know your top game, as well.