George > Ringo > Paul > John: for pop sensibilities
John > George > Ringo > Paul: for progressive/avant-garde sensibilities.
Printable View
Well I suppose all that we agree on is that George is pretty fantastic.
I will say that Paul wrote two absolutely fantastic songs solo, Maybe I'm Amazed and Band on the Run, and one great song, Live and Let Die, while the rest ranges from decent to Wonderful Christmastime.
True, although that could be said of most of the Beatles.
I've been in Tennessee all week, and I think they changed the state mascot to meth while I was gone.
Just found out a couple of days ago that the MBV finished mastering their new album last week. To say that I'm excited that the new album is finally coming is a tremendous understatement since we first heard the rumblings of something in 2010.
AWK on RB? Thank you. Best day ever.
It's about damn time, that's for sure.
I don't know how many of you guys on here are into hip-hop, but Good Kid, M.A.A.D City by Kendrick Lamar is as good of a hip-hop album as I've heard in years. Damn good stuff.
That album was pretty bland. Killer Mike, Aesop Rock (actually might be his best offering to date), Death Grips, and Nas all had far superior releases this year.
Are Animal Collective's first few albums worth listening to? I've listened to everything since Strawberry Jam and haven't dug any of it, but it seems like they're pretty well-liked, so I want to at least give them a chance before I write them off completely.
Avey Tare and Panda Bear's Spirit They're Gone, Spirit They've Vanished is among my very favorite albums. The output of Animal Collective before they were called Animal Collective outside of that is generally middling or straight-up ****e.
Sung Tongs is one of the great freak folk records to be released, and HCTI and Feels have their fans. Though Feels might be closer to the Strawberry Jams sound, the former two definitely are very different.
I hate screamo/metalcore and have no respect for it.
Am I using this thread correctly?
Yeah, you've used this thread properly.
Presuming you're talking about what passes for screamo and metalcore these days, I'd agree. But actual screamo and metalcore, which have nothing to do with the music those terms are associated with nowadays, are usually pretty great.
I gave Sung Tongs a listen last night, and while I loved the music itself, the vocals still strike me as annoying more often than not. Regardless, I appreciated the little nods to XTC's psychedelic folk period throughout the record.
I'll give Spirit They're Gone a spin tonight!
Feels is easily my favorite Animal Collective, followed by Sung Tongs and Hollinndagain.
EDIT: Also, Person Pitch is up there with Feels.
I've only seriously listened to Feels and Merryweather whatever and I appreciate Feels a lot more. I've grown tired of Merryblabla after a few listens.
Retroactively, I think Celebration Rock by Japandroids is my 2nd favorite album of 2012, even though I didn't actually listen to it until 2013.
Modern music is horrible. No comparison to the music of the past is needed.
Once in a blue moon, something good comes, but that's about it.
Don't listen to the modern rock stations, either.
I'm sure your parents said the same thing years ago
Ha, no, they loved the music they grew up with.
Music is as good and diverse as ever, just have to put some effort in and look for it as it's not being played on radio or TV anymore which caters to mainstream audiences and that of which currently like generic music. Absolutely does not mean all modern music is horrible, that in itself is a generic statement.
This is why the internet is so important to music nowadays, so artists can be discovered rather than shunned behind the generic crap.
This is an idiotic and incorrect statement. Honestly this kind of crap doesn't provoke anything intellectual and is weighed with pointlessness and irrelevance.Quote:
Modern music is horrible. No comparison to the music of the past is needed.
Just sayin' how there are other (and better) ways of discovering new music other than AM/FM radio nowadays. The internet is just one of them and arguably the biggest for unsigned, low-tier/mid-tier artists to get their name out there for more people to hear and discover.
For me, it's probably about 70% of the music I listen to I would have never known if it wasn't for the internet and its streaming services, recommendations, social media sites, etc. And a good majority of those being downright impossible to discover without the internet, so I'd say it's a pretty good method to go by.
The same can be said for every decade before us. It's just that all of the crappy bands and artists have, for the most part, been forgotten by the proverbial sands of time. Take a look at any Top 40 chart from the 50s, 60s, 70s, and 80s and you'll see plenty of acts you'd rather not listen to among the so-called classics.