So long, farewell, Auf Wiedersehen, good night.
I've barely even played Bohemian Rhapsody. And yeah, it seems like that was the song the mainstream media was most ****ting itself about being in the game.
I've played it...*checks*...7 times. And not in probably close to a year.
It's not as fun solo, but you get a party setting and you're guaranteed a good time. **** three mics, everyone's singing anyway.
Witticus: "GeeNef speaks to me like schizophrenia, his words touch me where my priest could reach."
We're comparing the likes of Viva La Vida here where there's tiny instrumentation and works on pure recognisability to Clocks which does have some gameplay promise (Which, I'll add, outsold Viva La Vida despite the massive difference in views on YouTube in Viva La Vida's favour). Green Day has consistent guitars, even if they're not Opeth style fun, and I think that's enough to boost demand for most people, just having anything to play is enough. Keep in mind that any requests for Bohemian Rhapsody would have been made before RB3, so there wouldn't even have been keyboard or harmonies in peoples minds during requests.
I'm not denying Bohemian Rhapsody would have beaten Don't Stop Me Now in requests on hindsight, but I don't think it'll have 'stomped' all other Queen tracks.
Hmmmm? Let it be by the Beatles bruther?
as Tom Petty once said pal. The waiting is the hardest part.
A song that came out as a single three years after YouTube got big did better than a song that came out three years before? You don't say! It's almost like people look it up on YouTube when it's still on the radio!
You really seem to underestimate Bohemian Rhapsody, though. It's THE SONG. If it was DLC, it would keep pace with Don't Stop Believing.
Witticus: "GeeNef speaks to me like schizophrenia, his words touch me where my priest could reach."